Together Towards Innovation
Economic and business experts from both regions will provide information on the exponential growth opportunities of the game and film industries on both sides of the Atlantic.
France’s Institute for Research and Coordination in Acoustics/Music, in collaboration with its American partners, invites participants to discover some remarkable examples of possible artistic relationships between humans and computers.
The project New MississippiS uses the Southern part of the Mississippi River as an emblem of the markers of environmental problems to address the intersection between exploitation, ecologies, and people in two locales in the American South.
Artificial intelligence models are now capable of collecting and analyzing enormously large databases in ways that are challenging fundamental values claimed in Europe and the United States.
Atlanta Contemporary and Les Abattoirs in Toulouse, France will partner for a dynamic conversation between their respective executive directors: Veronica Kessenich and Annabelle Ténèze.
Until November 10, a virtual exhibition will present excerpts of works and tools that heavily rely on AI techniques and that question the relationship between human and machines.
Now that the 10th edition of France-Atlanta has come to a close, let’s take a look back at the residency of the Toulouse, France-based architecture firm BAST – Bureau architectures sans titre (“Untitled Architecture Office”), which took place October 21-29. … Read More
The films, Night Replay, produced in 2012 by the French author and filmmaker Eléonore Weber, and Reconstitution of a Hunting Scene, produced in 2019 by the French artist and author Patricia Allio, are two documentaries at the intersection between fiction and reality that reconstruct a role-play. These films, which have been presented at various festivals in France and abroad (Belfort Film Festival, Hors Pistes – Centre Pompidou in Paris, CPH:DOX in Copenhagen, and IMDb in Montreal), have never before been presented in the United States.
Hovering between experimental rock noise with contemporary aesthetics and an electro-acoustic sound, Loïc Guénin’s music refuses to adhere to a speci c category. His approach to sound and listening places him at the border between music and contemporary art.